alberta whittle
  • Home
  • BIOGRAPHY
  • Works
    • Installation >
      • Life Support
      • RESET
      • How flexible can we make the mouth
      • Transparency
    • Collages >
      • Business as Usual
    • Film >
      • What sound does the black atlantic make
      • A Study in Vocal Intonation
      • Sorry, not Sorry
      • from the forest to the concrete (to the forest)
      • You Can Never Touch the Same Water Twice
      • Mammmmmmmywata Presents Life Solutions International
    • Lessons in Welcome
    • Performances >
      • Impossibility of Return
      • A Recipe for Planters Punch
      • Go Home / No Home
      • In Transit
      • Right of Admission
      • Right of Admission Part 2
      • Right of Admission Part 3
      • Right of Admission Part 4
      • Right of Admission Part 5
      • Big Red aka Bertie
      • The Cradle
    • Curatorial Projects >
      • INTERMISSION
  • NEWS/PRESS
  • Contact

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  • Home
  • BIOGRAPHY
  • Works
    • Installation >
      • Life Support
      • RESET
      • How flexible can we make the mouth
      • Transparency
    • Collages >
      • Business as Usual
    • Film >
      • What sound does the black atlantic make
      • A Study in Vocal Intonation
      • Sorry, not Sorry
      • from the forest to the concrete (to the forest)
      • You Can Never Touch the Same Water Twice
      • Mammmmmmmywata Presents Life Solutions International
    • Lessons in Welcome
    • Performances >
      • Impossibility of Return
      • A Recipe for Planters Punch
      • Go Home / No Home
      • In Transit
      • Right of Admission
      • Right of Admission Part 2
      • Right of Admission Part 3
      • Right of Admission Part 4
      • Right of Admission Part 5
      • Big Red aka Bertie
      • The Cradle
    • Curatorial Projects >
      • INTERMISSION
  • NEWS/PRESS
  • Contact